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Mimi. verão 2013.

Mimi. verão 2013.

Mimi. inverno, 2012.

Mimi. inverno, 2012.

Arthur said they’d wait for night to do the job, out of respect for second-rate thrillers. How do we kill all that time? asked Odile. Franz had read about an American who’d done the Louvre in nine minutes 45 seconds. They’d do better.

(Source: psychedelisme, via catherineholly)

vintagemarlene:

susie sent this to me in an email.

vintagemarlene:

susie sent this to me in an email.


Elizabeth Taylor on the set of The Sandpiper (1965)

Elizabeth Taylor on the set of The Sandpiper (1965)

(Source: tinasinatra, via catherineholly)

Jean Seberg on the set of ‘Á Bout De Souffle’, 1960.

Jean Seberg on the set of ‘Á Bout De Souffle’, 1960.

(via catherineholly)

Pra inspirar o sono. Bola tomando sol.

Pra inspirar o sono. Bola tomando sol.

mama e frida. abril 2012.

mama e frida. abril 2012.

Mimi. verão 2013.

Mimi. verão 2013.

Lola. 2013.

Lola. 2013.

Mimi. inverno, 2012.

Mimi. inverno, 2012.

Arthur said they’d wait for night to do the job, out of respect for second-rate thrillers. How do we kill all that time? asked Odile. Franz had read about an American who’d done the Louvre in nine minutes 45 seconds. They’d do better.

(Source: psychedelisme, via catherineholly)

vintagemarlene:

susie sent this to me in an email.

vintagemarlene:

susie sent this to me in an email.


Elizabeth Taylor on the set of The Sandpiper (1965)

Elizabeth Taylor on the set of The Sandpiper (1965)

(Source: tinasinatra, via catherineholly)

Jean Seberg on the set of ‘Á Bout De Souffle’, 1960.

Jean Seberg on the set of ‘Á Bout De Souffle’, 1960.

(via catherineholly)

Pra inspirar o sono. Bola tomando sol.

Pra inspirar o sono. Bola tomando sol.

mama e frida. abril 2012.

mama e frida. abril 2012.

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Cenas da minha vida captadas pelas minhas lentes. Boas lembranças, imortais no meu olhar. <3

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